In the spaces are installed works of art pleasing to the eye, apart from the interpretation and the meaning of the creations, according with the idea of the artist:
“I love the colour, I love the cleanliness of the style; I love the order, but I love asymmetries able to prevent obviousness and monotony."
"Recovery. The artistic path of Isacco Macalli is based on this principle. The young sculptor from Bergamo concentrated the last years of his research on the rethinking of objects extrapolated from his original environment; through a change of perspective, these elements are re-proposed in different contexts and forms thus giving life to the sculptural works of Macalli.
Macalli's work is already born during the research of materials, which often takes place in abandoned factories, in quarries or in any case where it is possible to find tools abandoned after wear. Elements of industrial waste are thus collected, cleaned up and re-weighted; filtered through the author's gaze, these abandoned and seemingly useless tools become works of art. This is evident in the Metropolis, where cut bases recovered in a quarry are rethought as monolithic pitto-sculptures.
In addition to the principle of recovery, another decisive element emerges in Macalli's works: the dimension of interactivity that the works have with the subject that uses them. The light graft that often characterizes the sculptures allows the viewer to interact with them, constructing his own personal sculpture, modifying its lights and thus developing innumerable and changing forms.
It is precisely this capacity of the work to change at the changing of the eye that look at it that makes the sculpture of Macalli precious and mysterious: not being able to know every form of what is presented to the eye, not being able to have a complete vision and at the same time as each facet of the work, the spectator is invited to look into it and reveal its subjective sense after it forms. "
di Enea Chersicola – curator of the project “Be Art Builder” 2015